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Celebrating the pipe organ, the King of Instruments |
In 934, Duke Henry founded an abbey that was transfered in 1053 to today’s site and was named “Weingarten”. Since 1056, Benedictine monks have settled here and built a new church and cloisters in 1124, one of the largest in Swabia. Since 1712, plans were underway to built the abbey church that is still in use today. The church was completed and consecrated in 1724. It is the largest baroque church north of the Alpes. The architects were Christian Tumb and Peter Schreck. The west fassade with the two towers as well as the dome above the crossing were built after plans of Donato Giuseppe Frisoni. The frescoes in the vaults and ceilings have been created by Cosmas Damian Asam, the choir stalls (1724) are carved by Joseph Anton Feuchtmayer. The towers house seven large bells (a″ - c-sharp′ - e′ - f-sharp′ - g-sharp′ - b′ - c-sharp″. There is an additional bell in the North tower (Hosanna bell, b°, weight of c. 6.500 kg, from 1490). Since 1922, 120 years after the secularisation of the abbey, Benedictine monks from Beuron are back in Weingarten Abbey.
Earliest organs for the previous churches have been mentioned in the 13th century, replaced by new organs in 1561 and 1613. When in 1715 the old minster had been dismantled and was replaced by the present abbey church in 1724, plans were made for the building of a representative new organ. In 1729, the abbey chapter’s attention was drawn to a young organ builder, Joseph Gabler, who at that time just was working at the rebuiling of the organ in Ochsenhausen. Gabler was asked to repair the Weingarten choir organ, and after he done these works successfully and also completed the new organ in Ochsenhausen in 1733, it was decided in 1737 to ask him to built the new organ in Weingarten.
In a first contract from 1737, the organ should comprise 60 stops and some percussion stops like Glockenspiel, Cimbala, Rossignol, playable on four manuals and pedal. The compasses should have on the manuals C-c3, in the pedal C-g°, with all 12 chromatic notes in the lowest octaves . The wind supply system in the North tower should have 12 bellows. Most parts of the organ should be playable within three years.
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The former Premonstratensian Abbey Church was founded in 1145. The middle-age buildings were replaced by the baroque church between, completed in 1724, and still in use as a parish church after the secularization of 1802. In the west fassade, two mighty towers flank the wide nave. They house eight swinging bells (a′ - c-sharp′ - e′ - f-sharp′ - a′ - h′ - c-sharp″ - e″ (cast in 1699 and 1989). The high-altar and the choir-stalls date from 1635, the altar-of-the-cross was given in 1783 as a gift from Salem Abbey. From the middle-age’s interior a Madonna from 1495 is preserved at the left choir arch.
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The first church buildings were erected in the 12th century. In 1285, the cornerstone of today’s abbey church was laid and the building was completed and consecrated in 1414 by Archbishop Eberhard III of Salzburg. Built in Gothic style with three naves, transept and chancel, the basilica has remained nearly unchanged to this day and is said to be one of the most important Gothic churches in Southern Germany. Unlike the church, the adjacent abbey buildings and cloisters were replaced in the 17th century by a large Baroque construction which burnt down in a fire disaster in 1697. Today’s cloisters have been built between 1697 and 1708 by Franz Beer, an architect from Vorarlberg.
The furnishings of the Middle Ages were already given up when the buildings were rebuilt in the 17th century, and the new ones were destroyed by the fire in 1697. Another Baroque interior by Joseph Anton Feuchtmayer was eventually replaced by today’s Classical furnishing (1766-1793) with 27 altars and choirstalls of 88 seats. Note the valuable Gothic tabernacle in the North transept from 1494.
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