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…in tribute to Olivier Messiaen on the centenary of his birth, a composite performance of one of his best-loved compositions, La Nativité du Seigneur, music inspired by the birth of Jesus.
Listen to the program
OLIVIER MESSIAEN: Prelude (1934) –Olivier Latry (1868 Cavaillé-Coll/Notre Dame Cathedral, Paris, France) Deutsche Grammophon CD-471480
OLIVIER MESSIAEN: The Virgin and Child – La Vierge et l’Enfant, No. 1 from La Nativité du Seigneur (1935)–Olivier Messiaen (1868 Cavaillé-Coll/La Trinité, Paris, France) EMI Classics CD-67400
MESSIAEN: The Shepherds – Les Bergers (No. 2) –Jennifer Bate (1979 Danion-Gonzalez/Beauvais Cathedral, France) Unicorn-Kanchana CD-9005
MESSIAEN: Eternal Purposes - Desseins éternels (No. 3) –Erik Boström (1949 Marcussen/Oscarskyrkan, Stockholm, Sweden) Proprius CD-9009
MESSIAEN: The Word – Le Verbe (No. 4) –Marie-Claire Alain (1977 Kuhn/Hofkirche St. Leodegar, Switzerland) Erato CD-45470
MESSIAEN: The Children of God – Les Enfants de Dieu (No. 5) –Wolfgang Rübsam (1880 Cavaillé-Coll/Holy Cross Cathedral, Orleans, France) Bayer CD-100004
MESSIAEN: The Angels – Les Anges (No. 6) –Susan Landale (1852 Cavaillé-Coll/Church of St. Vincent de Paul, Paris, France) ADDA CD-581039
MESSIAEN: Jesus accepts suffering – Jésus accepte la souffrance (No. 7) –Rudolf Innig (1976 Breil/St. Martin’s Church, Bad Lippspringe, Germany) MD&G CD-3170009
MESSIAEN: The Magi - Les Mages (No. 8) –Gillian Weir (1929-1993 Frobenius/Århus Domkirke [Århus Cathedral], Denmark) Priory CD-921
MESSIAEN God among us – Dieu parmi nous (No. 9) –Pierre Cochereau (1868 Cavaillé-Coll/Notre Dame Cathedral, Paris, France) Philips CD-446642
Filler – MESSIAEN: The Magi (see above)
Olivier Messiaen (December 10, 1908-April 27, 1992), the most important composer of organ music in the 20 th century, took inspiration from his intense religious faith coupled to a mystic’s vision. He created a unique musical language that would evolve to embrace Gregorian chant, ancient Greek and Hindu rhythms, intensely colorful chordal harmonies, and the songs of birds. In La Nativité du Seigneur, in ways which simultaneously seem somewhat strange and strangely engaging, he creates a sequence of nine vivid scenes that capture the essence of that first Christmas, its characters, events and ideals.