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Spiritual mystery and intellectual clarity may seem incompatible concepts, but for composer Olivier Messiaen, probing them was his life and his art. On our next Pipedreams program, we explore his music that many consider to be the most important written for the organ since Bach: his vivid tonal visions of the Eternal Church, his aural pageants descriptive of Christmas scenes, Pentecostal zeal, and Trinitarian principals. The composer himself, eight of his students and disciples, plus one determined and talented youth who is playing the entire cycle in 9-hour marathon concerts, honor his memory ten years after his death.
Pentecostal Tongues and Serene Alleluias sound in praise of a higher power while a remarkable man sees colors in sound and reveals his profound faith in art. Enter a surprisingly satisfying world. We are Attuned to Messiaen. . .this week on Pipedreams.
Listen to the program
OLIVIER MESSIAEN: Diptyque (1929) –Gillian Weir (1929-1993 Frobenius/Århus Domkirke [Århus Cathedral], Denmark) Collins Classics 7CD-70312
MESSIAEN: Apparition de l’Eglise Eternelle (1931) –Louis Thiry (1959 Metzler/Saint Peter’s Cathedral, Geneva, Switzerland) Calliope CD-9928
MESSIAEN: Serene Alleluias of a Soul Desiring Heaven, from L’Ascension (1934) -Naji Hakim (1868 Cavaillé-Coll/La Trinité, Paris, France) Jade CD-29491
MESSIAEN: The Tongues of Fire, from Messe de la Pentecote (1950) –Erik Boström (1949 Marcussen/Oscarskyrkan, Stockholm, Sweden) Proprius CD-9010
MESSIAEN: Piece en Trio (No. 1) and The Eyes in the Wheels, from Livre d’Orgue (1951) –Rudolf Innig (1994 Fischer & Krämer/Saint Bonifatius Church, Lingen, Germany) Dabringhaus & Grimm CD-317.0622
MESSIAEN: God is Simple, from Meditations sur le Mystere de la Sainte Trinité (1969) -Charles Tompkins (1984 Casavant/First Baptist Church, Greenville, SC) Pro Organo CD-7136
MESSIAEN: The Raised and the Light of Life, from Livre du Saint Sacrement (1986) –Almut Rössler (1981 Eisenbarth/Dom St. Stephan, Passau, Germany) Motette CD-11061
MESSIAEN: Le Banquet Celeste (1926); Force and Agility of the Glorified Bodies, from Les Corps Glorieux (1939) –Paul Jacobs (1964 Möller/National Shrine of the Immaculate Conception, Washington, DC) (American Public Media recording 2/22/02)
MESSIAEN: God Among Us, from La Nativité du Seigneur (1935) –Olivier Messiaen & Jennifer Bate (1868 Cavaillé-Coll/La Trinité, Paris, France) EMI Classics CD-67400; Jade Editions CD-29497
No composer since Bach more completely merged his artistic and spiritual life in composed organ music than did Olivier Messiaen (1908-1992). Our performances feature numerous present-day Messiaen advocates, several former pupils and disciples, and the composer himself.
In commemoration this year of the 10th anniversary of Messiaen’s death, the superb young American organist Paul Jacobs is playing the complete works six times in marathon recitals in various cities around the United States. The final two performances take place on May 9 in Minneapolis, MN (Basilica of Saint Mary, from 1 p.m. to 10 p.m.) and June 14/15 in Seattle, WA (Cathedral of Saint James, 7:45 p.m. to midnight both nights).
Contact the Organ Historical Society for more information concerning available CDs or this music.